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Baroque Spain : and the writing of visual and material culture / Alicia R. Zuese.
Material type:
TextReference number:020828927Series: Studies in visual culture (Cardiff, Wales)Publisher: Cardiff : University of Wales Press, 2015Description: 1 online resourceISBN: 9781783167845; 178316784X; 9781783167852; 1783167858; 9781783167852Subject(s): Spanish prose literature -- Classical period, 1500-1700 -- History and criticism | Aesthetics, Baroque | Esthétique baroque | LITERARY CRITICISM -- European -- Spanish & Portuguese | Aesthetics, Baroque | Civilization | Manners and customs | Spanish prose literature -- Classical period | Spain -- Social life and customs -- 17th century | Spain -- Civilization -- 1516-1700 | Espagne -- Mœurs et coutumes -- 17e siècle | Espagne -- Civilisation -- 1516-1700 | SpainGenre/Form: Electronic books. | Criticism, interpretation, etc.DDC classification: 860.9/003 LOC classification: PQ6064
Contents:
Introduction: Viewing the Tale: Cervantes’s Portrait, Lope’s Hieroglyphics and Methods of Verbal Visual CognitionChapter One: Image, Text and Memory in Illuminated Manuscripts and Early PrintChapter Two: Don Quijote and Don Juan: Collectors and the Collection as Models for Critical Inquiry into the BaroqueChapter Three: Material Representations of the World: Using Physical Texts and Fictional Expression to Create Literary EdificesChapter Four: Emblems, Meditation and Memory: Mental Reverberations of the NovellaChapter Five: Fragmentation of the Protagonist and Society: Emblems, Anamorphosis and CorporealityConclusion
| Item type | Current library | Class number | Status | Date due | Barcode | Item reservations | |
|---|---|---|---|---|---|---|---|
Book
|
Main Library | 860.9/003 (Browse shelf(Opens below)) | Issued | 16/10/2023 | 4326247246 |
Total reservations: 0
Includes bibliographical references and index.
Introduction: Viewing the Tale: Cervantes’s Portrait, Lope’s Hieroglyphics and Methods of Verbal Visual CognitionChapter One: Image, Text and Memory in Illuminated Manuscripts and Early PrintChapter Two: Don Quijote and Don Juan: Collectors and the Collection as Models for Critical Inquiry into the BaroqueChapter Three: Material Representations of the World: Using Physical Texts and Fictional Expression to Create Literary EdificesChapter Four: Emblems, Meditation and Memory: Mental Reverberations of the NovellaChapter Five: Fragmentation of the Protagonist and Society: Emblems, Anamorphosis and CorporealityConclusion
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