000 | 04124cam a22003738a 4500 | ||
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001 | ocm22911392 | ||
003 | OCoLC | ||
005 | 20131128163020.0 | ||
008 | 900523s1993 nyu b 001 0beng | ||
010 | _a 90055530 | ||
020 |
_a0064309762 : _c$29.95 |
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035 | _a(Sirsi) locm22911392 | ||
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_aN6853.P5 _bD2613 1993 |
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_a709/.2 _aB _220 |
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_aDLC _cDLC _dRRR _dOrLoB |
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100 | 1 | _aDaix, Pierre. | |
240 | 1 | 0 |
_aPicasso. _lEnglish |
245 | 1 | 0 |
_aPicasso : _blife and art / _cby Pierre Daix. |
250 | _a1st ed. | ||
260 |
_aNew York, N.Y. : _bIcon Editions, _c1993. |
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263 | _a9304 | ||
300 |
_axiii, 450 p., [24] p. of plates : _bill., maps ; _c24 cm. |
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500 | _aTranslation of: Picasso. | ||
504 | _aIncludes bibliographical references and index. | ||
505 | 0 | 0 |
_gPt. 1. _tThe Formation of Genius. _g1. _tYo, Picasso (1881-1897). _g2. _tFrom Prodigy to Artist (1897-1900). _g3. _tParis, Here I Come! (1900-1901). _g4. _tThe Tragedy of Casagemas and the Blue Period (1901-1904). _g5. _tLove at the Bateau-Lavoir (1904-1905) -- _gPt. 2. _tTo the Avant-Garde. _g6. _tDecisive Encounters (1906-Early 1907). _g7. _tLes Demoiselles d'Avignon (1907). _g8. _tThe Cordee with Braque (1907-1908). _g9. _tThe Invention of Cubism (1909-1911) -- _gPt. 3. _tEva or Liberty. _g10. _tThe Cubist Explosion (Summer 1911-1912). _g11. _tThe Revolution of Papiers Colles (Autumn 1912-Summer 1913). _g12. _tFulfillment (Autumn 1913-Summer 1914). _g13. _tThe War and Eva's Death (Summer 1914-1916) -- _gPt. 4. _tOlga or Marriage. _g14. _tParade and Marriage (1916-1917). _g15. _tReturn to Order (1918-Early 1920). _g16. _tPaternity and Classicism (1920-1923). _g17. _tThe Approach of Surrealism (1923-1924). _g18. _tCrisis of Marriage (1924-1926). _tConjectures on Picasso's Philosophy at This Critical Juncture -- _gPt. 5. _tMarie-Therese or The Secret. _g19. _tThe Metamorphoses (1927-1929). _g20. _tRenewal of Surrealism (1929-1930). _g21. _tHymn to Marie-Therese (1931-1932). _g22. _tA Marriage Ends (1933-1934). _g23. _tThe Birth of Maya (1935-1936) -- _gPt. 6. _tDora Maar or The War. _g24. _tSpain at Heart (1936-1937). _g25. _tFrom Guernica to Munich (1937-1938). _g26. _tThe War (1938-1940). _g27. _tThe Resistance (1940-1944) -- _gPt. 7. _tFrancoise and Commitment. _g28. _tA New Departure (1944-1946). _g29. _tFrancoise (1946). _g30. _tBetween Socialist Realism and Abstract Art (1947-1951). _g31. _t"A Detestable Season in Hell" (1951-1953) -- _gPt. 8. _tJacqueline and the Freedom of Old Age. _g32. _tQuestioning Everything (1953-1954). _g33. _tTurning Point (1954-1956). _g34. _tAgain into the Unknown (1957-1958). _g35. _tFrom Vauvenargues to Mougins by Way of Manet (1959-1962). _g36. _tThe Master of Mougins (1963-1965). _g37. _tBearing the Weight of Art (1966-1969). _g38. _tA Picasso Finale (1969-1973). _g39. _tAbove and Beyond. _tAbbreviations Used in Source Notes -- _tAppendix: The Exhibition at Vollard's and Its Consequences. |
520 | _aWritten by an art critic who knew him well for over twenty-five years, this is the most up-to-date and comprehensive one-volume study of Picasso's life and art available. Published in France in 1987, it has been continuously updated and revised by the author since then. Daix's intimate knowledge of Picasso as a man and as an artist has enabled him to consider Picasso's achievements in relation to the events and personalities in his life. Picasso is arguably the greatest artist of the twentieth century, certainly the most prolific, and this examination of the man and his work is more thorough than any other single volume, covering his whole life and providing a detailed, balanced assessment of his important works. Daix has written two fundamental catalogues of Picasso's art and he recently worked with William Rubin on the Museum of Modern Art's exhibition on Picasso, Braque and Cubism. For anyone interested in modern art and the life and art of one of its greatest practitioners, this book is essential reading. | ||
600 | 1 | 0 |
_aPicasso, Pablo, _d1881-1973. _92375 |
650 | 0 |
_aArtists _zFrance _xBiography. |
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