| 000 | 01189pam a2200277 i 4500 | ||
|---|---|---|---|
| 001 | 3015717 | ||
| 005 | 20200702151920.0 | ||
| 008 | 770520s1977 nyu b 00110 eng | ||
| 010 | _a76057264 /MN | ||
| 020 | _a0195022130 | ||
| 035 | _a(Sirsi) i9780195022131 | ||
| 035 | _a(Sirsi) .b10529196 | ||
| 035 | _a.b10529196 | ||
| 049 | _aSUSB | ||
| 050 | 0 |
_aML3858 _b.S37 |
|
| 092 |
_a782.13 _bSch52L |
||
| 100 | 1 |
_aSchmidgall, Gary, _d1945- |
|
| 245 | 1 | 0 | _aLiterature as opera. |
| 260 |
_aNew York, _bOxford University Press, _c1977. |
||
| 300 |
_axi, 431 p. _c24 cm. |
||
| 504 | _aIncludes bibliographical references and index. | ||
| 505 | 0 | _aAn opening perspective.--George Frideric Handel: Orlando, Ariodante, Alcina.--Wolfgang Amadeus Mozart: Le nozze di Figaro.--Gaetano Donizetti: Maria Stuarda and Lucia di Lammermoor.--Hector Berlioz: Benvenuto Cellini.--Giuseppe Verdi: Macbeth.--Peter Ilyich Tchaikovsky: Eugene Onegin.--Richard Strauss: Salome.--Alban Berg: Wozzeck.--Benjamin Britten: Death in Venice.--Afterword: The crisis of modern opera.--Literature as opera, a symposium. | |
| 650 | 0 |
_aOpera _xDramaturgy. |
|
| 650 | 0 |
_aMusic and literature. _916051 |
|
| 596 | _a4 | ||
| 999 |
_c36488 _d36488 |
||